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Kostym: Malin Busck HI ON LIFE
Ljuddesign och musik: Safoura Safavi
Ljusdesign: Peter Stockhaus På bilden: Belén Maya, Paloma Madrid, Ninos Josef2020-11-25T22:16:07+00:00monthlyhttps://palomamadrid.me/workshops/https://palomamadrid.me/wp-content/uploads/2018/02/tumba-galleri-kopia.jpgtumba galleri kopiahttps://palomamadrid.me/wp-content/uploads/2018/02/paloma-madrid-dansbild-foto-a-jimenez.jpgFoto: A. Jimenezhttps://palomamadrid.me/wp-content/uploads/2017/07/paloma.jpgpaloma2019-03-19T17:08:52+00:00weekly0.6https://palomamadrid.me/2018/02/12/svenska-hijabis-blir-tv/2019-01-31T10:50:09+00:00monthlyhttps://palomamadrid.me/taller-workshop-vuestrx-cuerpa-es-vuestro-territorio/2018-12-04T18:22:53+00:00weekly0.6https://palomamadrid.me/2018/09/28/vuestro-cuerpo-es-vuestro-territorio-av-paloma-madrid-i-samarbete-med-dansaren-ninoska-valenzuela-benavides-chile/https://palomamadrid.me/wp-content/uploads/2018/09/nino-paloma.jpgnino & palomaLaboratory and pic from short film 20182018-10-01T08:03:18+00:00monthlyhttps://palomamadrid.me/forskning/2018-06-30T20:24:35+00:00weekly0.6https://palomamadrid.me/2016/05/17/svenska-hijabis/https://palomamadrid.me/wp-content/uploads/2016/05/14721442_10153981264834290_6733657927773461033_n.jpg14721442_10153981264834290_6733657927773461033_n2018-02-12T14:54:11+00:00monthlyhttps://palomamadrid.me/2016/06/13/19-00-poesi/https://palomamadrid.me/wp-content/uploads/2016/06/bild-2016-06-13-kl-20-13.jpgBild 2016-06-13 kl. 20.132017-01-14T20:54:53+00:00monthlyhttps://palomamadrid.me/2015/04/27/cuantos-cuerpos-se-necesitan-para-hacer-revolucion-how-many-bodies-are-required-to-start-a-revolution/https://palomamadrid.me/wp-content/uploads/2015/04/foto-dans.jpgPhoto: M.Madridhttps://palomamadrid.me/wp-content/uploads/2015/05/10559825_10152842003174290_8545390008318953175_n.jpg10559825_10152842003174290_8545390008318953175_nhttps://palomamadrid.me/wp-content/uploads/2015/04/beyond-representation.jpgAs part of the final presentations of the MA in New Performative Practice programme at DOCH, Uniarts in Stockholm. I heartly welcome you to my process in action. Drottningatan 17, Dansmuseet, Metro: T-centralen. Booking your ticket: Do you have a practice? Yes, it's about – “Do not fear mistakes. There are none.” Miles Davis – and what my grandmother is saying: – “Do less, Paloma!” At the beginning of my practice I curated artists and started talks and direct performative actions based on collective premises. We performed on several stages around Stockholm. We called the group “The Non-White Artistic Experience” (“The Non-Invadors” is the new name). At the moment I’m busy with the dancers Niki Tsappos, Bambam Frost, Talia Gallegos Fadda and Sofia Castro, engaging in many performative layers and a semi-collective practice of dance and performance. How many bodies do you have? One body I have is the body of Artemio, a mayordomo who worked in the house where my grandmother used to live in the early 20th century in the desert of Calama. Each morning before Artemio began with her/his work, s/he put on a home-made make-up from cardenales. Cardenales to look beautiful, para verse mas bello. Artemio is the name of the housekeeper who worked in the house where my grandmother lived. Important that s/he name is mentioned. This is a personal story. The memory of Artemio lives in me through my grandmother’s stories. I combine English with Spanish, knowingly. Mayordormo = housekeeper in Spanish, Cardenales are flowers, maybe you know their Swedish name? Do you care about objects? The condom is a very interesting object for me. The French call it a ‘second skin.’ It is a means of protection, as we know. Recently I began to think about the condom as a synecdoche. One practice I have is to ‘gaze the institution’. (I have three paths of entering into my practice, one in which I gaze the institution, a second one in which I produce knowledge with the help of collective methods and ideas and a third one in which I work on producing several layers of composition which are formed together with dancers in order to be witnessed.) And the more I gaze, I see the institution as a “male organ, without condom […] You have this ‘masculine body’ that is at the centre of political power for all these years, is a skin that contains a soul, and this soul is producing sperm. It is a kind of transcendental power.” (B, Preciado, philosopher). The condom theory is based on my own experiences in the institutional space, energies that come into existence and which I acknowledge in the present moment and visual embodied symbols that I register where power is upheld in its various guises. This knowledge is turned into references, which produce and/or at the same time conserve normative movements that do not, or rarely, touch me because they do not contain a gender, queer, race, class, economic or sexual critical perspective, at once. This critical perspective which we can be make have their origin in normative white bio-masculine, bio-feminine or bio-queer thinkers who have existed and continue to exist within the institution I gaze, as for example Karl Marx, Michel Foucault and Judith Butler to only name a few. But imagine if Marx, Foucault and Butler were from St. Barthélemy, queer thinkers from this tropical Caribbean island from the very beginning; if it had never been colonised by Swedes. This is why I think we need to re-evaluate our knowledge and the art that we produce. Because we still do not find ourselves in a decolonized state. The linear time perspective and the energy accumulated in our bodies want us to continue to live with our internalized capitalism and racism. The ‘condom theory’ puts focus on an object that prevents me from being bored of spaces that need this analysis and action. However, my thoughts even proceed from a universal approach from which I really want to encourage the practice of feelings of boredom, transforming them into creative fluid practices in the moment, making trans-formations. “Preventing the circulation of sperm prevents in a way the expansion of male virility, divine power.” (B.Preciado, philosopher) Otherwise, I have no particular need for objects as participatory entities in my work. I couldn’t care less. Sure, we are working with objects, make-up, lights, clothes, lashes and shoes. But at this moment I need to focus on people, their voices, reactions, and satisfactions and on what we need to make this action, possible. What is most important for you in this presentation? The energy transforming the bodies practicing dance in the room. /Paloma Madrid, 10 march 2015 Ljusdesign Lina Färje Kostym Farah Mirza, Paloma Madrid Konstnärlig resurs Karina Sarkissova Foto: Privat (The pic has nothing to do with the work) Mucho amor y gracias Francine Agbodjalou Berget Gazelle Sarasvati Shrestha Valeria Montti Colque Sarah Kim Gülbeden Kulbay Gabriella Ax Tripsiani Valentina Chamorro Paulina de los Reyes2016-12-05T10:15:47+00:00monthlyhttps://palomamadrid.me/2016/01/07/like-a-hawk-stealing-for-the-prey/2016-10-18T21:53:37+00:00monthlyhttps://palomamadrid.me/2015/10/23/snoppen-bloder/https://palomamadrid.me/wp-content/uploads/2015/10/wpid-wp-1445618459097.jpgwpid-wp-1445618459097.jpghttps://palomamadrid.me/wp-content/uploads/2015/10/wpid-wp-1445618384635.jpgwpid-wp-1445618384635.jpg2016-08-31T09:52:51+00:00monthlyhttps://palomamadrid.me/2016/03/08/scenkonst/https://palomamadrid.me/wp-content/uploads/2016/03/la-familia-bild-dubbel.jpgla familia bild 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10.45https://palomamadrid.me/wp-content/uploads/2015/05/listen-with-your-eyes.jpgListen with your eyes.2016-04-20T15:43:15+00:00monthlyhttps://palomamadrid.me/2015/09/17/kranbilsbaletten/https://palomamadrid.me/wp-content/uploads/2015/09/wpid-wp-1442515254872-e1462983973581.jpgwpid-wp-1442515254872.jpg2016-04-20T15:04:26+00:00monthlyhttps://palomamadrid.me/2008-paloma-madrid/international-performance-research/dance-for-apartment-2013/https://palomamadrid.me/wp-content/uploads/2013/04/dans-dil-sofia-och-karolina-20122.jpgDans DIL Sofia och Karolina 2012https://palomamadrid.me/wp-content/uploads/2013/04/sittande-badkar-karolina-dil-2012.jpgSittande Badkar Karolina DIL 2012Foto: Martina Jordan2015-10-22T10:58:03+00:00weekly0.6https://palomamadrid.me/2008-paloma-madrid/international-performance-research/2011-2/https://palomamadrid.me/wp-content/uploads/2012/06/miljc3b6bild_rotterdam.jpgMiljöbild_rotterdamhttps://palomamadrid.me/wp-content/uploads/2012/06/img_0418.jpgIMG_0418https://palomamadrid.me/wp-content/uploads/2012/06/img_0410.jpgIMG_0410https://palomamadrid.me/wp-content/uploads/2012/06/img_0369.jpgIMG_0369https://palomamadrid.me/wp-content/uploads/2012/06/img_03411.jpgIMG_0341https://palomamadrid.me/wp-content/uploads/2012/06/bild-till-folderpg.jpgbild till folderpghttps://palomamadrid.me/wp-content/uploads/2012/06/img_0384.jpgIMG_0384https://palomamadrid.me/wp-content/uploads/2012/06/img_0340.jpgIMG_0340https://palomamadrid.me/wp-content/uploads/2012/06/img_0285-764x1024_bw.jpgIMG_0285-764x1024_BWhttps://palomamadrid.me/wp-content/uploads/2012/06/dil-rotterdam-scen_sv.jpgDil Rotterdam 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